The New Horizon of Cinema: The Transformation of Film Art in the Age of Technological Determinism

By the Filmoctopus Team When the Lumière Brothers first presented The Arrival of a Train at La Ciotat (1895), legend has it that the audience ran out of the theater in terror. The technology of that day was such a powerful representation of reality that human perception struggled to process it. Today, more than 130 […]

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A Guide to Horror and Sci-Fi Cinema: The Origins and Evolution of Genres

Here is the English translation of the text, maintaining the original structure, tone, and formatting. A Guide to Horror and Sci-Fi Cinema: The Origins and Evolution of Genres 1. Introduction: Why Is Understanding Film Genres Important? Welcome to the world of cinema! If you are a spectator captivated by the magic of films and curious […]

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mother! – What Does Its Ideological Ground Really Offer the Viewer?

Darren Aronofsky’s baroque monster of a film has already inspired a wave of interpretations. The overt metaphors, the Bible-grade allegories everyone can now recognize at a glance, and that infamous final act make it very tempting to put the film under the microscope again and again. Classic tools of film analysis certainly “fit” the narrative. […]

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David’s Path

“The spirit that I have seenMay be a devil; and the devil hath powerT’assume a pleasing shape…”— Hamlet Since 1979, the Alien franchise has been a benchmark for science fiction and horror. After a rather embarrassing “degeneration” in the 1990s, it was re-ennobled by Ridley Scott himself, who returned to tell the unknown backstory of […]

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The Ideological Unfolding of Cannibalism

A razor slicing through an eyeball, pliers yanking out perfectly white teeth, that famous supermarket-brand salami.Meat, blood, bone. If it’s cooked, we’re fine; if it’s raw, suddenly it’s “disgusting”. And then there are the people who like their steak still bleeding, happily paying fifty dollars a portion. There’s something oddly satisfying about those who drink […]

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This space is dedicated to thinking seriously about cinema and storytelling at a time when the future of the medium feels unstable. You’ll find theory-driven essays, close readings of films, and reflections from my own practice as a filmmaker and researcher. If you’re more interested in how stories work than which platform they’re on, you’re […]

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